All Blanchet, Louis-Gabriel Oil Paintings

French Painter, 1705-1772 French painter, active in Rome. He won second place in the Prix de Rome competition in 1727 and thereafter settled in Rome, where he enjoyed the patronage of Nicolas Vleughels, Director of the Acad?mie de France, and the Duc de Saint-Aignan (1684-1776), who at that time was French Ambassador to the Holy See. In 1752 Blanchet painted the Vision of Constantine (Paris, Louvre), a copy of Giulio Romano's fresco in the Sala di Costantino in the Vatican. He was, however, principally a portrait painter. His portrait of Tolozan de Montfort (1756; Lyon, Mus. B.-A.) is a fine example of his elegant, rather nervous style and his distinctive use of colour. In the same year Blanchet executed a portrait of the contemporary painter Johann Mandelberg (1730-86; Copenhagen, Kon. Dan. Kstakad.). Other surviving works of his include St Paul (signed and dated 1757; Avignon, Mus. Calvet) and his full-length portrait of P. P. Lesueur and E. Jacquier (1772; Nantes, Mus. B.-A.).
 

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Blanchet, Louis-Gabriel Portrait of a Gentleman oil on canvas


Portrait of a Gentleman
Portrait of a Gentleman
Painting ID::  10844
  1752, oil on canvas, private collection
  1752, oil on canvas, private collection

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Blanchet, Louis-Gabriel Prince Henry Benedict Stuart (mk25) oil on canvas


Prince Henry Benedict Stuart (mk25)
Prince Henry Benedict Stuart (mk25)
Painting ID::  24080
  1737-8
  1737-8

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Blanchet, Louis-Gabriel Prince Charles Edward Stuart (mk25) oil on canvas


Prince Charles Edward Stuart (mk25)
Prince Charles Edward Stuart (mk25)
Painting ID::  24081
  1737-8
  1737-8

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Blanchet, Louis-Gabriel Portrait of Charles Edward Stuart oil on canvas


Portrait of Charles Edward Stuart
Portrait of Charles Edward Stuart
Painting ID::  80125
  Date 1738(1738) Medium Oil on canvas Dimensions 190.5 x 141 cm (75 x 55.5 in) cyf
  Date 1738(1738) Medium Oil on canvas Dimensions 190.5 x 141 cm (75 x 55.5 in) cyf

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     Blanchet, Louis-Gabriel
     French Painter, 1705-1772 French painter, active in Rome. He won second place in the Prix de Rome competition in 1727 and thereafter settled in Rome, where he enjoyed the patronage of Nicolas Vleughels, Director of the Acad?mie de France, and the Duc de Saint-Aignan (1684-1776), who at that time was French Ambassador to the Holy See. In 1752 Blanchet painted the Vision of Constantine (Paris, Louvre), a copy of Giulio Romano's fresco in the Sala di Costantino in the Vatican. He was, however, principally a portrait painter. His portrait of Tolozan de Montfort (1756; Lyon, Mus. B.-A.) is a fine example of his elegant, rather nervous style and his distinctive use of colour. In the same year Blanchet executed a portrait of the contemporary painter Johann Mandelberg (1730-86; Copenhagen, Kon. Dan. Kstakad.). Other surviving works of his include St Paul (signed and dated 1757; Avignon, Mus. Calvet) and his full-length portrait of P. P. Lesueur and E. Jacquier (1772; Nantes, Mus. B.-A.).

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